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Carey also released a remix of her 1995 single " Fantasy", with Ol' Dirty Bastard as a feature, a collaboration format that was unheard of at this point. 1 hits, including " One Sweet Day", a collaboration between both acts, which became the longest-running No. Boyz II Men and Mariah Carey recorded several Billboard Hot 100 No. (1993), which came after her multimillion-dollar contract with Virgin Records, sold over 14 million copies worldwide. Janet Jackson's self-titled fifth studio album janet. ĭuring the mid-1990s, Whitney Houston's The Bodyguard: Original Soundtrack Album eventually sold over 45 million copies worldwide becoming the best-selling soundtrack of all time. In 1999, singers Michael Jackson and Whitney Houston were certified as the two top-selling R&B artists of the 20th century by the Recording Industry Association of America (RIAA). This combination of R&B style and hip hop rhythms was termed " new jack swing" and was applied to artists such as Keith Sweat, Bobby Brown, Johnny Kemp, Today and Bell Biv DeVoe.
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Ripani wrote that Janet Jackson's Control (1986) was "important to the development of R&B for several reasons", as she and her producers, Jimmy Jam and Terry Lewis, "crafted a new sound that fuses the rhythmic elements of funk and disco, along with heavy doses of synthesizers, percussion, sound effects, and a rap music sensibility." Ripani wrote that "the success of "Control" led to the incorporation of stylistic traits of rap over the next few years, and Janet Jackson was to continue to be one of the leaders in that development." That same year, Teddy Riley began producing R&B recordings that included hip hop influences. Marvin Gaye used drum machine on hit single "Sexual Healing" in 1982. The first result was Off the Wall (1979), which-according to Stephen Thomas Erlewine from AllMusic-"was a visionary album, that found a way to break disco wide open into a new world where the beat was undeniable, but not the primary focus" and "was part of a colorful tapestry of lush ballads and strings, smooth soul and pop, soft rock, and alluring funk". The nearest precursor to contemporary R&B came at the end of the disco era in the late 1970s, when Michael Jackson and Quincy Jones added more electronic elements to the sound of the time, creating a smoother dancefloor-friendly style. Gaye's own music on albums such as What's Going On (1971) incorporated jazz influences that led the genre into a looser musical direction. Norman Whitfield's productions at Motown, the record label of Gaye, were also pioneering for setting the soul vocals and simple hooks of earlier rhythm and blues records against strong backbeats, vocal harmonies, and orchestral sounds, all of which thickened the texture of the music.
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This movement was led by soul singer-songwriter/producers such as Curtis Mayfield, Marvin Gaye, and Stevie Wonder. According to Geoffrey Himes speaking in 1989, the progressive soul movement of the early 1970s "expanded the musical and lyrical boundaries of in ways that haven't been equaled since".